
Category: Language
Discover the World of Music Through Languages on NotesAndSargam.com
Music is a universal language—but the beauty of lyrics lies in the diversity of human tongues. At NotesAndSargam.com, we celebrate this linguistic and cultural diversity through our expansive Languages section. Whether you’re a beginner on the keyboard, a casual flutist, or a seasoned guitarist, this archive is your one-stop destination to explore song notations across multiple Indian and international languages.
A Treasure Trove of Multilingual Song Notations
Our Languages archive is a curated collection of song notations from various languages like Hindi, English, Bengali, Gujarati, Marathi, Tamil, Telugu, Punjabi, Nepali, and even Sinhala. We believe that language should never be a barrier to enjoying or playing music. Each language brings its own unique flavor, rhythm, and emotional depth, and we strive to preserve that in our notations.
Whether you’re playing a soulful Bengali Rabindra Sangeet, a foot-tapping Tamil movie song, or a timeless Hindi Bollywood melody, you’ll find easy-to-follow notations tailored for self-taught and amateur musicians. Our notations are written in a simplified format that works seamlessly across various instruments—flute, harmonium, keyboard, guitar, violin, and more.
Why Explore Songs in Different Languages?
Exploring music in different languages not only enhances your repertoire but also deepens your understanding of regional musical styles, scales, and expressions. For instance:
Hindi songs offer a wide emotional range—from classical to contemporary.
English tracks bring in global pop, rock, and soul influences.
Bengali music is rich in poetry and melody, especially with Rabindra and Nazrul geet.
Marathi and Gujarati songs often reflect folk roots and cultural stories.
Tamil and Telugu compositions are known for their rhythmic intricacy and lyrical depth.
Punjabi songs come with infectious energy and strong beats.
Nepali and Sinhala tunes bring a Himalayan charm and Southeast Asian soul to the mix.
At NotesAndSargam.com, we take pride in helping users discover this diversity by offering song notations that are both accurate and accessible.
Play What You Love, in Any Language
We know that many of our visitors are self-taught musicians who rely on ear training and visual notations. That’s why every song in our Languages archive is carefully transcribed and tested by fellow music enthusiasts. Our aim is simple—to help you play the songs you love, regardless of the language they are in.
New songs are added regularly, and we also accept user requests and submissions. If there’s a song in your mother tongue that you’d love to play but can’t find notations for, let us know—we just might feature it in our upcoming updates.
Join the Multilingual Musical Journey
Whether you are looking to master a Tamil classic, hum along with a Hindi romantic tune, or try your hands on a Nepali folk melody, the Languages section at NotesAndSargam.com invites you to explore, learn, and enjoy. Dive into the archive, pick your favorite language, and let your instrument sing.


Bechara dil kya kare

Bheege hont tere

Bheegi Bheegi Si Hai Raatein

Bhigi bhigi rato me

Bhor bhaye panghat pe

Bikharne ka mujhko shauq hai bada

Bolna Mahi Bolna

Breathless

Brishti Pade Tapur Tupur

Chaha Hai Tujhko

Chaha tujhe hai (Band of Boys)

Chain se humko kabhi

Chak Dhoom Dhoom… (Koi Ladki Hai Jab Wo Hasti Hai)

Chal tere ishq mein (Gadar2)

Chalo ik bar fir se

Chand si mehbooba ho

Chandan sa badan

Chandni Ratein

Chehra hai ya chand khila

Chhoo kar mere man ko

Chhoti si ye zindgani re

Chhupa Lo yun Dil me

Chingari koyi bhadake

Chitthi na koi sandes

Choodi nahi ye mera

Chori chori teri meri love story

Chup chup khade ho

Chupke Chupke Hum

Chura liya hai tumne jo

Dard dilo ke kam ho jate

Darshan Do Ghanshyam Nath

Dawat-e-ishq hai

Deewana hua baadal

Deewani Deewani Deewana Tera Ho Gaya

Dekh hamen aawaz na dena

Dekha Na Haay Re

Dhadkan zara ruk gayi hai

Dharti Tarse Amber Barse (Baghban)

Dil Aaj Shayar Hai

Dil Chhed Koi Aisa Nagma

Dil diyan gallan

Dil hai chota sa

Dil Hoom Hoom Kare

Dil ko dekho chehra na dekho

Dil ko hai tumse pyar kyu

Dil lootne wale jadugar

Dil ne kaha chupke se

Dil Pukare Aare Aare Aare

Dil Se Re…

O Amar Desher Maati

O go nirupama

O Mor Moyna Go

Phagunero mohanay

Prem Jeno Ek (Prem Boro Modhur)

Preme Pora Baron

Purano shei diner kotha

Ranaar Chhutechhe

Se dino akashe

Se Prothom Prem Amar Nilanjana

Se to elona

Sei raate rat chhilo purnima

Shanti Dao Shanti Dao (Bengali Devotional Song)

Shisire Shisire Sharodo Akashe

Tomar khola haowa

Tomay hrid majhare rakhibo

Tomay porechhe mone

Tumi Amar Nayan Go

Tumi jake bhalobasho

Tumi Robe Nirobe
- CAPITAL LETTERS = Shuddh Swars (Natural Notes)
- small letters = Komal Swars (Flat Notes)
- M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
- Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
- Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
- Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
- Notes in { } = “murki” have to be played very fast without any pause
- A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
- A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
- Few “….” (dots) after a note = Play and hold that note