
Category: Language
Discover the World of Music Through Languages on NotesAndSargam.com
Music is a universal language—but the beauty of lyrics lies in the diversity of human tongues. At NotesAndSargam.com, we celebrate this linguistic and cultural diversity through our expansive Languages section. Whether you’re a beginner on the keyboard, a casual flutist, or a seasoned guitarist, this archive is your one-stop destination to explore song notations across multiple Indian and international languages.
A Treasure Trove of Multilingual Song Notations
Our Languages archive is a curated collection of song notations from various languages like Hindi, English, Bengali, Gujarati, Marathi, Tamil, Telugu, Punjabi, Nepali, and even Sinhala. We believe that language should never be a barrier to enjoying or playing music. Each language brings its own unique flavor, rhythm, and emotional depth, and we strive to preserve that in our notations.
Whether you’re playing a soulful Bengali Rabindra Sangeet, a foot-tapping Tamil movie song, or a timeless Hindi Bollywood melody, you’ll find easy-to-follow notations tailored for self-taught and amateur musicians. Our notations are written in a simplified format that works seamlessly across various instruments—flute, harmonium, keyboard, guitar, violin, and more.
Why Explore Songs in Different Languages?
Exploring music in different languages not only enhances your repertoire but also deepens your understanding of regional musical styles, scales, and expressions. For instance:
Hindi songs offer a wide emotional range—from classical to contemporary.
English tracks bring in global pop, rock, and soul influences.
Bengali music is rich in poetry and melody, especially with Rabindra and Nazrul geet.
Marathi and Gujarati songs often reflect folk roots and cultural stories.
Tamil and Telugu compositions are known for their rhythmic intricacy and lyrical depth.
Punjabi songs come with infectious energy and strong beats.
Nepali and Sinhala tunes bring a Himalayan charm and Southeast Asian soul to the mix.
At NotesAndSargam.com, we take pride in helping users discover this diversity by offering song notations that are both accurate and accessible.
Play What You Love, in Any Language
We know that many of our visitors are self-taught musicians who rely on ear training and visual notations. That’s why every song in our Languages archive is carefully transcribed and tested by fellow music enthusiasts. Our aim is simple—to help you play the songs you love, regardless of the language they are in.
New songs are added regularly, and we also accept user requests and submissions. If there’s a song in your mother tongue that you’d love to play but can’t find notations for, let us know—we just might feature it in our upcoming updates.
Join the Multilingual Musical Journey
Whether you are looking to master a Tamil classic, hum along with a Hindi romantic tune, or try your hands on a Nepali folk melody, the Languages section at NotesAndSargam.com invites you to explore, learn, and enjoy. Dive into the archive, pick your favorite language, and let your instrument sing.


Pehla nasha pehla khumar

Phoolon Ka Taron Ka

Piya Bawari

Piya Haji Ali

Piya Re Piya Re

Piya to se naina lage re

Puchho na kaise maine rain bitai

Pukarta chalaa hun mein

Pyar Diwana Hota Hai

Pyar hame kis mod pe le aya

Pyar ka pehla khat likhne me

Pyar manga hai tumhi se

Raat Kali ek khwaab mein aayee

Rahi tu ruk mat jana

Rang Barse Bhige Chunar Wali

Ranjish Hi Sahi

Rasik Balma

Rimjhim Gire Sawan

Rimjhim Rimjhim Rumjhum Rumjhum

Roop tera mastana

Roz Roz Ankhon Tale

Saiyyan (Heere Moti main na chahu)

Sanam Re sanam re

Sanwaar loon

Sapne me sajan se do batein

Sara Pyar Tumhara

Saranga teri yaad me

Sare Jahan Se Achha

Sare ke sare gama ko lekar

Sathiya tune kya kiya

Satyam Shivam Sundaram

Sau Saal Pehle Mujhe Tumse Pyar Tha…

Sawan Aaye Ya Na

Sawan ka mahina

Seene me jalan

Shaam Dhalti Rahe (Twin Strings)

Sham se ankh me nami si hai

Sharma ki dulhin – Fevicol: 1959, A Love Story (Fevicol Ad)

Shehar Ki Pariyo Ke Pichhe

Shree Ram Chandra Kripalu Bhajman

Shyam teri bansi

So gaya ye jahan

Socho ke Jheelo ka shehar ho

Solah baras ki bali umar ko salam

Srimad Ramayan (TV Serial)

Suhana safar aur ye

Suniyo ji araj hamari

Sunn raha hai na tu

Suno gaur sey duniya walon
- CAPITAL LETTERS = Shuddh Swars (Natural Notes)
- small letters = Komal Swars (Flat Notes)
- M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
- Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
- Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
- Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
- Notes in { } = “murki” have to be played very fast without any pause
- A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
- A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
- Few “….” (dots) after a note = Play and hold that note